Recording Before Dental Surgery, Naming Mountain Dew

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[0:00] good morning guys so I'm about to have
[0:03] surgery this morning four steel rods put
[0:06] to the top of my mouth drilled right
[0:08] into my jawbone lovely fun doesn't sound
[0:13] fun all because of this stuff right here
[0:16] Mountain Dew got me thinking you know it
[0:19] wouldn't it
[0:21] wouldn't offend me if someone called me
[0:23] Mountain Dew man because I've been
[0:24] drinking this stuff my whole life I
[0:27] actually remember in my late 20s this
[0:30] one woman on uh the cornov street she
[0:33] lived in this house and she saw me one
[0:35] day she says I always see you with the
[0:37] green bottle I stopped drinking it after
[0:40] a while after that because I just always
[0:43] had Mountain Dew with me and this is
[0:45] what it does to you I would I would put
[0:48] myself on a
[0:49] poster next to a Mountain Dew can
[0:52] Mountain Dew man this is what it will do
[0:54] to you and you won't enjoy it so learn
[0:59] learn from my m thanks please
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Recording Before Dental Surgery, Naming Mountain Dew
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PUBLIC
February 26, 2024 rswfire PUBLISHED
Temp 0.20
Density -0.40
Energetic Quality
wry and matter-of-fact
Journey Phase
pre-procedural, self-documenting
Directional Vector
toward consequence documentation and public transmission
Narrative

The morning of the surgery, rswfire turned the camera on himself before he left. Four steel rods were scheduled to go into the roof of his mouth that day, drilled into the jawbone — a fact he stated plainly, in the same breath he used to greet whoever would eventually watch. Good morning guys. The framing was close, the take single, the room ordinary. Nothing about the setup announced that this was a threshold. He simply spoke from the interval before the procedure, the way a person speaks from a doorway they are about to walk through.

He named the cause before he named the consequence, or nearly — surgery first, then the object. He brought the Mountain Dew into the frame and let it stand there as the physical reference of the transmission, the green bottle doing the work that a long explanation would otherwise have to do. All because of this stuff right here. One gesture, and the whole causal chain was on the table: a consumption pattern running the length of a life, arriving at steel and bone on a Monday morning.

From there his attention moved sideways, into memory. He recalled being in his late twenties, near a house on Cornov Street, and a woman who lived there who had watched him pass often enough to remark on it. I always see you with the green bottle. She had not scolded him; she had simply named what she saw. rswfire noted that he stopped drinking it for a while after that — a small, unforced correction issued from someone else's observation, delivered decades ago, retrieved now in the hour before the drill. The recall was not offered as regret. It was offered as evidence that the pattern had been visible from the outside long before the outcome arrived.

The humor sat inside the honesty rather than deflecting it. He said it wouldn't offend him to be called Mountain Dew man. He had earned the name across a whole life of carrying the bottle, and he seemed to find something genuinely funny in the title — not bitter, not self-flagellating, just accurate. The wryness was the register, not a covering over something else.

Then came the turn that gave the recording its shape. Rather than describing the lesson, rswfire offered to become it. He said he would put himself on a poster next to a Mountain Dew can — Mountain Dew man, this is what it will do to you and you won't enjoy it. He claimed the cautionary frame outright, volunteering his own face and jaw for the public-service image rather than leaving the consequence abstract or attaching it to someone else. The body was the record. He proposed to display it.

He closed with an instruction that fractured slightly as he delivered it — learn, learn from my — and did not complete the phrase. Then: thanks, please. The recording ended. He went to the appointment. What remains is a short, unedited artifact in which a man on the morning of surgery held up a green bottle, told the story of the woman who saw him carrying it, and made himself the poster.

Tags

oral surgery dental implants Mountain Dew direct-to-camera video personal history cautionary address

Summary

rswfire records a short video on the morning of a scheduled oral surgery — he states that four steel rods will be placed in the top of his mouth, drilled into the jawbone.

He attributes the procedure directly to Mountain Dew, holding the product up on camera and describing lifelong consumption of it. He recalls an exchange in his late 20s with a woman living on a street he names as Cornov, who told him she always saw him with the green bottle. He states he stopped drinking it for a period after that.

He proposes he would be willing to appear on a poster next to a Mountain Dew can as "Mountain Dew man", framing himself as a demonstration of the outcome, and states the nickname would not offend him.

He closes by directing viewers to learn from his example, noting the outcome is not enjoyable. The transmission is delivered as a direct address to camera prior to the procedure.

Environment

Video recorded on the morning of a scheduled dental surgery, addressed directly to camera. rswfire speaks from a personal, close-frame setting immediately prior to the procedure, holding a Mountain Dew container in-frame as the physical reference object of the transmission.

The recording is short, single-take, and unedited. Reference is made to an earlier residential context on Cornov Street, a street he lived near or passed through in his late twenties.

Substrate

The signal holds a causal architecture: a long-running consumption pattern is named as the direct structural input to a surgical outcome, and rswfire places himself as the visible evidence of that chain. The ontological position is authorship of his own cautionary artifact — he offers to occupy the poster frame himself rather than externalize the consequence. Nothing is dissolved and nothing is resolved; the signal builds a public record linking behavior to physical outcome, delivered with humor rather than lament.

Actions

Performed

  • •records video on morning of surgery
  • •states four steel rods will be drilled into his jawbone
  • •holds up Mountain Dew container to camera
  • •names himself 'Mountain Dew man'
  • •addresses viewers directly
  • •issues a learn-from-this closing statement

Referenced

  • •drank Mountain Dew his whole life
  • •carried the green bottle constantly in his late twenties
  • •was told by a woman on Cornov Street that she always saw him with the green bottle
  • •stopped drinking it for a period after that remark

Planned

  • •undergo surgery that morning
  • •receive four steel rods into the upper jaw
  • •offers to appear on a poster beside a Mountain Dew can

Entities

beings
woman on Cornov Street — External observer whose single remark caused him to stop drinking it for a period; the first outside naming of the pattern.
places
Cornov Street — Street where a woman he passed regularly in his late twenties remarked on his constant green bottle.
systems
four steel rods — Surgical hardware to be drilled into the upper jawbone; the material outcome anchoring the signal.
concepts
Mountain Dew man — Self-applied designation he states would not offend him; the identity frame he offers for the cautionary poster.
media
Mountain Dew — Branded beverage named as the lifelong consumption pattern and the direct structural input to the surgical outcome; held in-frame as physical reference object.

Symbolic Elements

Represented archetypes or recurring motifs.

threshold
steel
drill
green bottle
poster
jawbone
mouth

Ontological States

Expressed modes of being or awareness.

embodied (the body is the record and the evidence)
pre-threshold (speaking in the interval before the procedure)
self-authoring (claims the cautionary frame rather than receiving it)
coherent (causal chain stated plainly, no distortion or deflection)

Engaged Subsystems

Architecture engaged in this transmission.

somatic (jaw, mouth, surgical hardware entering bone)
temporal (whole-life span compressed into a single outcome)
mnemonic (retrieval of the Cornov Street exchange)
communicative (direct-to-camera address with instructional close)
medical (scheduled procedure structuring the day)

Dominant Language

Core motifs or linguistic fields.

surgery / four steel rods / drilled into my jawbone
this is what it does to you
Mountain Dew man
my whole life
the green bottle
learn from my
poster
Narrative

The morning of the surgery, rswfire turned the camera on himself before he left. Four steel rods were scheduled to go into the roof of his mouth that day, drilled into the jawbone — a fact he stated plainly, in the same breath he used to greet whoever would eventually watch. Good morning guys. The framing was close, the take single, the room ordinary. Nothing about the setup announced that this was a threshold. He simply spoke from the interval before the procedure, the way a person speaks from a doorway they are about to walk through.

He named the cause before he named the consequence, or nearly — surgery first, then the object. He brought the Mountain Dew into the frame and let it stand there as the physical reference of the transmission, the green bottle doing the work that a long explanation would otherwise have to do. All because of this stuff right here. One gesture, and the whole causal chain was on the table: a consumption pattern running the length of a life, arriving at steel and bone on a Monday morning.

From there his attention moved sideways, into memory. He recalled being in his late twenties, near a house on Cornov Street, and a woman who lived there who had watched him pass often enough to remark on it. I always see you with the green bottle. She had not scolded him; she had simply named what she saw. rswfire noted that he stopped drinking it for a while after that — a small, unforced correction issued from someone else's observation, delivered decades ago, retrieved now in the hour before the drill. The recall was not offered as regret. It was offered as evidence that the pattern had been visible from the outside long before the outcome arrived.

The humor sat inside the honesty rather than deflecting it. He said it wouldn't offend him to be called Mountain Dew man. He had earned the name across a whole life of carrying the bottle, and he seemed to find something genuinely funny in the title — not bitter, not self-flagellating, just accurate. The wryness was the register, not a covering over something else.

Then came the turn that gave the recording its shape. Rather than describing the lesson, rswfire offered to become it. He said he would put himself on a poster next to a Mountain Dew can — Mountain Dew man, this is what it will do to you and you won't enjoy it. He claimed the cautionary frame outright, volunteering his own face and jaw for the public-service image rather than leaving the consequence abstract or attaching it to someone else. The body was the record. He proposed to display it.

He closed with an instruction that fractured slightly as he delivered it — learn, learn from my — and did not complete the phrase. Then: thanks, please. The recording ended. He went to the appointment. What remains is a short, unedited artifact in which a man on the morning of surgery held up a green bottle, told the story of the woman who saw him carrying it, and made himself the poster.

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